We'll be live at WORKSHOP 4200 at the PRF BBQ streaming live @ wholso.me/radio and live Wholesome Presents video sessions with Ex Okays, Maple Stave, Tart and Korean Jeans.
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Listen to music in a place where instruments were built! Wholesome, a creativity clubhouse in Workshop 4200 at the old Hammond Organ Factory, invites you to a Chicago rock explosion.
July 18th, run away from the tourists and check out a cool venue with local music talent and awesome art on the walls. Start the night with Lime Forest followed by your monthly dose of "scifi thug pop" from The Hazy Seas. End the night with some quirky prog-rock from Ex Okays. Doors open at 8:00PM with WholesomeRadio DJs. Live music starts at 8:30PM. Hosted by WholesomeZine WholesomeMerch WholesomeStudio-b3. Refreshments and Food available.
Please register here on Eventbrite. Names of attendees are required for entry to this FREE event.
Read MoreThe NEWS! AND WHY WE HAVE IT!.
In the begining of time there was no one there to record things that people thought and said…
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Legfish Hybridization Prototype
SHECKY SAYS “Our sceintists are working in wayz that some consider to be unnatural!”
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We were super excited to support the 2018 PRF BBQ by working with Workshop 4200 as the event venue. A great time was had by all.
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The Inaugural Party for WORKSHOP 4200 !! CHICAGO’S Creatorspace! Home of WHOLESOME Fun FOR ALL!!
Read MoreHigh quality, affordable, hand wired effects pedals...
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a.k.a. nio.ninja..nuf said
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About 7 years ago, I was debating names for my WholesomeRadio show. I had a goal to hit people where it hurts most. The decision to name the show "I h8 girls," came from my horrible experiences with adult women using their "girl" status to exclude others and limit their own potential.
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The Shirelles were not known for doing great southern soul…
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The Soul Sisters made several records, and an album for the Sue label in the mid 1960's…
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Adaptive Reuse
This improvisational animation was made with junk found scattered around UIC campus, and my neighborhood Washington Park. Many of the scenes are site specific, shot on the fly based on what materials presented themselves. I used stop-motion because it requires a hands-on approach, and I wanted to maintain the materiality of the objects that were being repurposed from their junk/trash context. In this sense, the film is about adding new value through attention and reuse.
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