WholesomeZine proudly presents their monsters coming to life, eye by eye, drip by drip. Don't stare too long or they'll come after YOU next :o
By Joselyn Barrera :)
Read MoreWholesomeZine proudly presents their monsters coming to life, eye by eye, drip by drip. Don't stare too long or they'll come after YOU next :o
By Joselyn Barrera :)
Read MoreEdited and Produced by Tabitha Moore using Premiere Pro Music.
"Ain't It Something - Live at Wholesome Studio-B3" by Lime Forest "
Hey Sap" by Info-Tapes
Short video trailer as introduction to the Wholesome documentary with pictures and footage by Stacy Sniegowski.
Read MoreAI Painting Expansion
Made it using Dall-E, this is a 40 second process video of an AI generating images based on an original painting. The song used is Vignette by Thee Arthur Layne (found on the WholesomeWax).
Read Morefrom the mean girls musical
Read MoreFrooty loops, a music video escape.
Read MoreAlien Pizza Makers!
WholesomeZine is invaded by Aliens as our fearless leader Zack plays guitar. The aliens don't know what to do with him so they make him into a tasty dinner.
Read MoreLegfish Anomaly
Made in Toon Boom Harmony, this is a 47 second animation, set to the song Invention #13, by T.H.O.S.E (found on the WholesomeWax). It stars the mascot of Wholesome, our friend the Legfish, warping in and out of reality, eventually being taken off to new lands.
Read MoreDo It Like Mama
The Chicago soul-funk duo Simtec (Walter Simmons) And Wylie (Wylie Dixon) had a bunch of 45s (and one album) from the late 1960s into the 1970s. They excelled at a hard edged, funky kind of soul that vocally relied on Sam And Dave. The band on several of their records was more or less led by guitarist Bobby Pointer, and he and a few others moved on from the duo to become the Southside Movement. Although the two singers had more success with their second 45 on Shama, this is the one that hits me, and when they keep singing mommy my eyes roll as much as my feet move!
Read MoreAdaptive Reuse
This improvisational animation was made with junk found scattered around UIC campus, and my neighborhood Washington Park. Many of the scenes are site specific, shot on the fly based on what materials presented themselves. I used stop-motion because it requires a hands-on approach, and I wanted to maintain the materiality of the objects that were being repurposed from their junk/trash context. In this sense, the film is about adding new value through attention and reuse.
Read MoreReflection^2
This Animation Meditation touches on the insecurity an emerging artist can feel when measuring their practice to the standards of the art institution. The mirror draws the character into the gallery, and serves as a metaphor for critical self-reflection as well as self-conscious destruction.
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